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Showing posts with label game of thrones. Show all posts
Showing posts with label game of thrones. Show all posts
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Jon Snow's Spinoff Can Fix A Major Game Of Thrones Finale Plot Hole

Jon Snow’s spinoff offers the opportunity to explain several plot holes from Game of Thrones’ ending, including a major inconsistency with the Night’s Watch. The untitled Jon Snow sequel series is the latest of several spinoffs in development at HBO, including prequels like The Sea Snake, Ten Thousand Ships, The Golden Empire, and A Knight of the Seven Kingdoms. However, Jon Snow’s show is the first Game of Thrones sequel series, with the franchise’s debut spinoff being August 2022’s House of the Dragon prequel.

While very few details have been announced for HBO’s sequel series, it’s confirmed that Kit Harington will be reprising his role as Jon Snow should the spinoff move forward. The show would follow Jon Snow’s journey after Game of Thrones’ divisive 2019 finale, which saw the prominent character exiled to the Night’s Watch after killing Queen Daenerys Targaryen. In the final shot of Game of Thrones’ original series, Jon Snow rode off beyond the Wall with Tormund and a host of Wildlings, with a green plant signifying the arrival of spring.




The sequel series will be an important test of whether Game of Thrones can be redeemed in the eyes of the larger public but can also provide answers to burning questions and mysteries left by the polarizing finale. One such mystery was that of the Night’s Watch, as the group’s fate was left largely pointless after the events of Game of Thrones’ final season. Tyrion Lannister revealed that the Night’s Watch would remain active as an order of the Seven Kingdoms, but there wasn’t truly a purpose for the men once the Night King and White Walkers were destroyed. Guarding the Wall was meant to keep the free folk and White Walkers at bay, but with the former arguably having no interest in returning to the South and the latter being wiped out, the true purpose of the Night’s Watch had already been fulfilled.

Tyrion explains that the Night’s Watch still exists as an order for “bastards and broken men,” but Game of Thrones’ ending never answered exactly what the men would be doing at Castle Black. If there are no White Walkers or Wildlings to fight, there's no reason to train or protect the Wall. There would be no glory to be sought by bastards like Jon Snow and the lack of a unifying purpose for criminals who are exiled to the Wall. It’s unclear what would keep the men of the Night’s Watch from abandoning their posts with only a few surviving personnel at Castle Black, especially since Jon Snow has seemingly deserted the Night’s Watch to live among the remaining free folk beyond the Wall.

It’s possible that a new threat could arise beyond the Wall and threaten Westeros in Jon Snow's spinoff, but Bran would presumably be able to sense such an occurrence as the Three-Eyed Raven. Without the motivation of keeping foes from breaching the Wall, the Night’s Watch is largely diminished to a labor prison. Perhaps the Night’s Watch will be given a new purpose across the realm in the sequel series, but unless King Bran Stark foresaw a new threat beyond the Wall, the original necessity of Game of Thrones’ order is obsolete. However, Jon Snow’s spinoff can finally explain the point of maintaining the Night’s Watch beyond a refuge for lost souls. Whether it be a new King Beyond the Wall, conflict with the Children of the Forest, or a novel supernatural foe similar to the White Walkers, Game of Thrones’ sequel series would require a new threat in order to truly justify the Night’s Watch’s continued existence.
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Game Of Thrones' Sequel Can Finally Redeem The Original's Tyrion Mistake

Tyrion Lannister is one of the best characters in Game of Thrones but is ruined by season 8 - and the new sequel series can fix this. HBO's sequel to the immensely popular fantasy TV series is set to follow Jon Snow (Kit Harrington), one of the surviving main characters of the finale of Game of Thrones season 8. Though no other actors have been confirmed to appear yet, Tyrion Lannister (Peter Dinklage) must absolutely become a main character once more to redeem D B Weiss and David Benioff's character assassination of the wittiest man in Westeros.

One of the few characters with genuine empathy and a witty mouth to boot, Tyrion Lannister is a universally beloved Game of Thrones character. Despite having the odds stacked against him in the harsh society of Westeros due to his dwarfism, he is an honorable, clever man with better intentions for the realm than his brother Jaime, sister Cersei, and nephew, Joffrey combined. Tyrion's initial character arc culminates in Game of Thrones season 4 when he is blamed for Joffrey's murder and put on trial, eventually losing a trial by combat which pits his champion, Oberyn Martell, against Gregor Clegane, the Mountain. After killing his father and his lover, Shae, Tyrion eventually joins up with Varys and Daenerys Targaryen to help her ascend the iron throne as her Hand of the Queen.




Tyrion's turn from witty hero to useless advisor must be undone by the sequel series. The character was almost universally beloved for staring death in the face and doing what he felt was right, such as when he gave his legendary monologue during his trial for Joffrey's murder in Game of Thrones season 4. However, Tyrion is a shell of his former self from season 5 onward. He spends much of his time moping, then makes poor strategic decisions, such as when he gets his closest friend, Varys, killed by Daenerys Targaryen. Tyrion is arguably the smartest man in Westeros, so he should absolutely return in the new series with his original intelligence restored to redeem this once great character.

A primary reason for Tyrion's weaker later appearances are that he lacks personal connections to those he interacts with. Game of Thrones seasons 1-4 see him contend with the awfulness of Cersei and Tywin Lannister and form close relationships with Bronn, Podrick Payne, and Jaime Lannister. In this vein, later seasons prevent him from being witty as he primarily only interacts with people he respects, such as Jon Snow, Ser Jorah Mormont, and Varys. While his character certainly has his dramatic moments, he is also one of the series' funniest characters in the first few seasons, a trait sorely missing from Game of Thrones seasons 5-8.

Peter Dinklage is a highly celebrated actor, winning multiple awards for his portrayal of Tyrion Lannister. As one of Game of Thrones' few characters with a disability, his appearance is vitally important for authentic representations that normalize dwarfism in modern media. Furthermore, Dinklage's Tyrion is almost as intertwined with the series' identity as George R.R. Martin himself at this point, so it would be a crime not to have him return for the unnamed sequel. In this way, the Game of Thrones sequel needs to bring back Tyrion to restore his brains and wit and to give him the chance to become the same character so many fell in love with when the series first premiered.
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Game of Thrones S08E03 Review: Wrath of the Night King

Game of Thrones, Season 8, Episode 3: The Long Night

(Warning, this episode features heavy spoilers from the very plot-twist-y episode, and I'm not going to include any particularly spoiler-y images. Scroll down if you haven't watched this episode!)

So, to open up by acknowledging the episode's greatest strength... this is an amazing episode visually. As a visual spectacle, as someone who's interested in the logistics of filming and creating such an amazingly immersive episode where you truly feel the terror, dread and hopelessness as our heroes fight against the endless armies of the dead, and someone who admittedly loves visual spectacles... "The Long Night" is an amazing episode in that aspect. From the opening scene of slowly building up dread as we just slowly pan over some 15-20 characters as they await the incoming onrush of literal death, to fight for their lives and most likely die, to the opening salvo with Melisandre and the Dothraki, to the dreadful confusion in the darkness-enshrouded large wasteland, to around halfway through the episode where our main characters are trapped in the claustrophobic corridors of Winterfell... this episode is exceptionally well done, selling the horror of the episode, and raising the stakes compared to other "big battle" episodes in Game of Thrones.

Yet, narratively... narratively, it's a bit of an odd meal that I'm never quite sure how to process. Throughout the 80-minute runtime of the episode I was constantly on the edge of my shit, going "HOLY SHIT HOLY SHIT" every couple of seconds whenever something horrifying happens to one of our beloved characters, as we pan away from this character to that character to yet another character, and when the final and surprising climax of the episode happens, it was a huge "holy fuck. HOLY FUUUUUCK!!!!" moment. It was an amazing experience to live through.

The music in this episode is also spectacularly used, with some segments (the Arya one in the middle of the episode) using little to no background music, while the "darkest hour" segment near the end makes amazing use of a crescendo of nothing but piano. It's just amazing and sucks you in. 

Jon & Dany S8 Ep3Yet when the dust settles, and the spectacle is over, and I sit down to write the review of this behemoth of an episode... I'm genuinely baffled at the events that happened, and I'm genuinely not sure how much I like this narratively. And to reiterate what I said above -- the episode was certainly nothing short of a cinematic episode, and I was completely immersed in the horror and dread and awesome tension, and for an episode that's 90% "oh holy hell zombies", it never really got tiresome, something that genuinely surprised me. 

But also something that genuinely surprised me is... how little I actually like the ending now that I've had time to breathe and take stock of the events that happened. The subversion of an audience's expectation is a dangerous trick if it is done for just subversion's sake -- look at The Last Jedi for how utterly poorly-received the subversion of Snoke's importance ended up being. And Game of Thrones has made its mark by having its first season (and book) subverting some of the most prevalent tropes in fantasy setting, including killing off two of the main leads in not particularly honourable ways... yet still shaping the narrative and the fantasy of the world to revolve around them. 

Sansa & Arya S8 Ep3And... and, well, the Night King and the oncoming army of the dead has been a plotline that has been foreshadowed literally from the very first scene of the TV series and the first chapter (or was it the second?) of the first book. It was the mythological plot, it was the Bigger Threat over this silly fight over who gets to rule what, and while the Night King is more of a force of nature than an actual character, and part of me is happy that a character I genuinely care about, Cersei, ends up essentially being the final boss, the ultimate, final big bad of the series... it's also kind of a cop-out that they solved complaints about how the Night King is a flat villain that only has vague motivations that was ever-so-slightly hinted at if you look really hard through Bran's Raven-visions back in season 6, as well as Bran's short analysis on his motivation last episode.

And while I certainly didn't expect the Night King to be anywhere as complex a character as many of the other characters in this sprawling show... it's sort of an anticlimax, y'know? I honestly don't mind the plot twist that he dies in this episode. I don't even mind the subversion that it isn't Jon or Daenerys that ended up dealing the killing blow and that it was Arya. I minded the fact that for all the oomph and the eight seasons' worth of buildup and all the awesome episodes like Hardhome, Eastwatch and the whole Three-Eyed Raven sequence... the Night King does scant little in his final episode, leaving the bulk of the fighting to the endless horde of wight-zombies, mostly just spending the episode riding around Viserion, raising the dead some more, and sort of stand around and look cool. None of the other White Walkers even do anything, despite the huge assembly of around a dozen or so at the end of the previous episode, and how they cluster around the Night King like the cover of an 80's metal band cover. Like, at least let some of our characters fight the nameless white walkers or some shit. 

Episode 70And while I was scared about all of the characters throughout the episode -- there were moments where characters I thought were safe like Tyrion and Arya seemed like they were straight-up going to die in one last blaze of glory -- the death tally for the episode ended up being surprisingly low. Sure, a lot of random nameless dudes, particularly the Dothraki and Unsullied, ended up dying, but as far as named characters go, it's a shockingly low amount of Edd, Beric, Melisandre, Jorah, Theon, Lyanna and that Dothraki leader dude. And maybe Ghost the dog and Rhaegal the dragon. Considering how much the previous episode scared the fandom and audiences in general by waving death-flags and tying up loose ends, it set up a notion that anyone except for maybe a couple of 'safe' characters are dead, but at the end of the day it's mostly just a bunch of genuine cannon fodder (albeit likable ones in terms of Edd and Lyanna) and a couple of characters who were pretty obviously going to do a redemption-by-death anyway, it's just a matter of which villain they die to. And, sure, maybe we're saving some of them to die in the series finale against Cersei's forces, but still

And while I adore the subversion that characters with very obvious death flag -- Gray Worm and Missandei -- actually did survive, as do all of the named characters in the crypt, it is honestly sort of ridiculous that we didn't have a higher body count after just how we keep cutting back and forth to show the people in the courtyard (Brienne, Jaime, Tormund, Grey Worm, Podrick and I think Gendry and Davos maybe?) just continually getting swarmed by zombies, getting back up, getting swarmed, getting back up again and so on. And I honestly do think that the courtyard battle where basically almost everyone somehow managed to survive felt frankly a wee bit ridiculous. 

And, again, don't get me wrong. The episode is a pretty badass action sequence all throughout with a lot of amazing set pieces. The opening of the episode is pretty amazing, from the slow buildup of our characters just sort of awaiting the dread, to Melisandre showing up with a horse and giving the pretty awesome visual spectacle of lighting the Dothraki's arakhs on flame, and the long viewpoint of having the entire Dothraki army with swords lit on fire in the dark charging towards the unknown darkness... only to be quite literally snuffed out within seconds. That was chilling, and while there are a lot of complaints about just how dark the episode was, particularly with the fog and blizzard that swirled around the battlefield, I felt like it added to the scariness of fighting an unknown horde of zombies in an icy land. 

S8 ep3 battle winterfell VarysThe triumphant charge of everyone outside of Winterfell, ready to defend it and devolving into a chaotic melee, is also pretty well done, with the episode really focusing on either chaotic close shots or spectacular wide shots of the scale of the show, while we cut back and forth around a half-dozen characters we care about. And then Dolorous Edd gets impaled while rescuing Sam, and we get our first casualty. Oh no, a recurring and likable (if not particularly important) character gets killed! And then everyone retreats, with ambiguity if less important characters like Pod, Gray Worm and Beric will make it or not.

They all do, thanks in combination to the arrival of Daenerys and her dragon carpet-bombing the wights. And then a blizzard shows up, which is pretty badass as well, and we also have the spectacular showcase of Melisandre chanting and praying to the Lord of Light to light up the trenches and create, again, another visual spectacle of a wall of flames protecting Winterfell. Visually, it's striking, and it's a fun showcase of having a bit of a back-and-forth as our heroes start launching the big guns at the endless army of wights, with things like Melisandre lighting the Dothraki swords on fire, Drogon's arrival and the flaming trench tactic all seeming like legitimate ways for them to swing the tide of battle. 

And then, of course, the Night King arrives riding a dragon. And honestly, while it all boils down to "oh fuck our heroes are trying to survive against an endless tide of undead", the cinematography of the scene is pretty well done. The sensory-fuckery of never being quite sure which dragon is swooping around until it's too late, how Jon and Dany's senses are clouded by the blizzard, to the eventual 2-v-1 battle when Viserion the undead dragon starts to genuinely fight against Rhaegal and Drogon... it was definitely a far more extended fight than I thought we'd get, because I genuinely didn't expect CGI dragons fighting more than like five seconds, and it's amazing, including a particularly gorgeous shot of the dragons bursting out of the chaotic blizzard-filled clouds and into the calm night sky above. That is beautiful. 

The fact that zombie Viserion loses half his jaw and spends the rest of the episode bleeding blue flame from the side of his face and neck is also a pretty neat visual effect.

Jon S8 Ep3Meanwhile, after a sequence of Arya pulling off all the stops of her Faceless Man training and just slays her way through a fuck-ton of the dead, she, too gets overwhelmed, in no small part thanks to actually taking a hit and falling down the ramparts. We start getting things falling apart -- we get to see some of our heroes swarmed over by wights (although they mostly survive), we get to see the Hound in full PTSD mode, we get to see Sansa and Tyrion and the rest of the crypt cast in fear and huddling, we get to see the desperate last ring of defense that Theon has around Bran... and we get another death. It's Lyanna Mormont, the badass little child, surviving a first seemingly-fatal thrown-aside by an undead giant, before being grabbed and squeezed in a very painful-sounding crumple... but she manages to stab the undead giant in the eye and dust it just as she dies. 

It's just such a shame that not all of the action scenes are as visually striking and focus-driven as the dragon fight or the Lyanna scene -- so much of the fight against the zombies includes intentionally foggy or blurry shaky-cam camera. It does help to show just how horrifying things are from the point of view of the battlers, and while I get that, yes, a battle in Winterfell would be foggy and the Night King did seem to summon a blizzard early on, it doesn't make the episode feel as smoothly and as well choreographed as, say, The Watchers on the Wall. 

Again, case in point... the group in the courtyard -- Brienne, Jamie, Tormund, Pod, Gray Worm, Sam and maybe Gendry and Davos (the two are sort of missing) -- honestly don't do jack shit other than get overwhelmed, break free, get overwhelmed again, and break free again, and honestly it's sort of straining credibility that Sam and Davos, who aren't physical badasses, are somehow still alive after all that. 

But then we take a break from the huge dragon melee and the huge zombie swarm to follow Arya, and we get a pretty badass scene. It's certainly long, and probably an obvious "cheat" by the filmmakers to shoot a tense horror scene that didn't require as many extras as the elaborate exterior ones, but the horror of being trapped in a shadowy library as she tiptoes around, sneaks around bookshelves and Assassin's Creeds her way throughout the castle is, again, nothing short of breathtaking. The sequence highlighted in equal parts Arya's badassery (slashing that one wight in the chin mid-stride is awesome) while also making it clear that, shit, Arya's terrified out of her mind. 

And in a scene where we have so little dialogue, it's so amazing how Maisie Williams manages to convey both badassery and vulnerability at the same time. Of course, she ends up teaming up eventually with the Hound and Beric Dondarrion as more and more of the undead show up, and they end up basically taking turns rescuing each other until Beric manages to hold the line against a couple of wights, and survive just long enough to pass away in front of Arya. We then have Melisandre give some cryptic foreshadowing to a particular prophecy she said so long ago ("blue eyes"), as well as note Beric's prophesied role (both of which more casual audiences might be forgiven for forgetting) as being the herald of the Prince Who Was Promised... after a pretty awesome recalling of Arya's iconic exchange with Syrio way back in season one -- "what do we say to the god of death" -- and Arya basically disappears for the rest of the episode. Intentionally, and it's a pretty well-done misdirection, I must say. 

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A good man.
And we do get the creepy scene at the crypt, where everyone and their mother called out that putting the refugees in a place where it's full of dead people is a bad idea. With Jon knocked off of Rhaegal (who literally disappears for the rest of the episode, and I'm not sure if Dracowight Viserion's mauling is lethal) and charging towards the Night King, he resurrects all of the dead in the now-memetic "come at me" pose, and that includes the dead in the crypt. Yet while we do get a pretty scary moment of Sansa and Tyrion about to do something potentially fatal with that dagger... none of the people in the crypt really ended up dying or even in a position where they're close to dying. Not Sansa, not Tyrion, not Varys, not Missandei, not Gilly. 

And, of course, while all of this is going on, we get a couple of pretty desperate scenes. It's kinda dumb for Dany and Drogon to stay rooted on the ground for too long, but this had the effect of Drogon being absolutely overwhelmed by the wights that swarm him like ticks, leaving Daenerys unprotected on the ground as Drogon flies off and tries to shake off the wights that are trying to kill him (a very awesome visual), leaving Daenerys at the mercy of the army of the dead... if not for Jorah Mormont's arrival.

Likewise, the Godswood is breached by the army of the dead, and Theon Greyjoy and his Ironborn end up being the last line of defense against Bran and held their ground way longer than I gave them credit for, being genuinely impressive. Jon Snow, meanwhile, while managing to at least last against the wights, ends up being trapped in a courtyard with a rampaging zombie Viserion, and unable to really stand up against him. The Dovahkiin he ain't, and there was a particularly hilarious scene where he tries to charge Viserion, only for the undead dragon to turn his head and he runs an immediate 180 and takes cover behind some conveniently blue-dragonfire-proof rubble. 

And, of course... Theon and Jorah both have their respective redemption-equals-death moments. Jorah's was a bit less spectacular, even if dying while fighting back-to-back with her queen is pretty badass and that's basically the ideal death for Jorah, dying as a shield for her queen. Theon, meanwhile, ends up actually standing his ground and fighting against all of the wights until the Night King and his walking-metal-album-cover entourage shows up, and we get one last line from Bran-Raven thanking Theon and saying he's a good man, before Theon charges in. No longer is he the man who betrays the Starks, no longer is he the meek Reek who can't stand up to Ramsay Bolton, no longer is he the dumbass who jumped off a ship and abandons his sister. He charges the Night King and gets the manliest death in this episode. It's impressive, genuinely, how the show has gotten me to go from "fuck Theon!" to "fuck, Theon." to "FUCK YEA THEON". 

And as Theon dies, as Jorah dies, as Brienne and Jaime and the rest of the courtyard squad gets overwhelmed by wights for the umpteenth time, as Jon Snow tries a suicidal screaming competition against the undead dragon... we get a crescendo of music as the Night King and Bran stare face to face... only for motherfucking Arya Stark to jump out of the fog and try and stab the Night King in the face, leading to a very awesome and smooth sequence of the Night King catching Arya, her dropping the blade and then stabbing it straight in the Night King's heart... dusting the ENTIRE ARMY. Including the undead dragon, cockblocking Jon Snow of the badassery of potentially killing an undead dragon. 

With everyone victorious, Melisandre's job is done and she drops her magic necklace and walks into the snow to die in her true self, the final casualty of this episode. Which is more cathartic than shocking or dramatic, admittedly. 

NightsKing-970x494And... and I don't necessarily have a problem with it being Arya Stark that killed the Night King. It's foreshadowed in the series proper, even if it's not particularly memorable foreshadowing and I only remember it thanks to Melisandre reminding us. And I do like the subversion that Jon isn't the one to deal the killing blow. But... y'know what? It's still ultimately an unsatisfying narrative ending for the undead army plot even if in the moment it's a great holy-shit-oh-no-HOLYSHIT segment. I mean, sure, again, I'm not expecting a whole ton from the Night King as a character at this point, but I genuinely felt like we could've found out more about him. And even as a visual spectacle, the Night King is genuinely off-screen or on a dragon for the most part of the episode, with his contributions basically surviving Drogon's dracarys attack, lobbing a javelin (which missed), raising the dead (again) and killing Theon.

And considering the fact that this was the last hurrah for the white walkers and wights anyway... the white walkers really did jack-shit and even less than the night king, huh? We couldn't have the last boss that Jorah fight be a white walker? We couldn't have one of those bearded dudes lobbing lances at the defenders? Or have the Courtyard Squad fight one of them? Or have Arya, Hound and Beric team up against a white walker? I dunno. Sure, the huge zombie hordes and the huge zombie dragon was impressive, but I genuinely expected... more than just "ZOMBIES MORE ZOMBIES EVEN MORE ZOMBIES". Hell, we didn't even get a single scene of a character having to put down the zombie of one of his friends or something. Sam and Edd? Jon and Benjen? Tormund and one of those Wildlings from Hardhome? The headless zombie of Ned Stark? Grey Worm against a battalion of zombie Unsullied? Come on, if you're going to do zombies for most of the cast, at least make some of it interesting. 

Overall... I still immensely enjoyed this episode (and I genuinely feel bad that I ended up being so critical of an episode I was genuinely glued to the screen while watching), and it's undeniably impressive visually, and an amazing and tense watching experience. The individual death scenes that we focus on (Theon, Jorah and Lyanna in particular) are all done pretty well, too. And I will hold judgement on how much I like it based on how the remaining three episodes pan out. And it could definitely stand to be visually more distinct and clearer. But narratively and as an overall piece of the story... it's definitely leaves a bit of a mixed taste in your mouth, particularly how the white walkers are handled and ultimately concluded. I've seen someone comparing this to a nightmare -- very scary and will freeze you and make you feel very into it while trapped in the nightmare, but once you wake up and think about it, the scariness of the nightmare you had isn't that impressive. 
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How to watch Game of Thrones Season 8 Episode 3 in The World?

Streaming Game of Thrones season 8 episode 3 in the US

Putting it bluntly: it's an HBO show. And so the best way to stream it in the US is straight from the dragon's mouth, by getting an HBO NOW subscription. They offer several different packages, each offering a free trials at the beginning. Prices for the pleasure start at $14.99 a month and increase depending on which package you choose - naturally. Game of Thrones Season 8, episode 1 and 2 are available on HBO to watch now, and you can do this with every episode in the future, being able to re-watch it on catch up again or easily watch it at your convenience if you can't get it 'live'. If you're out of the country, don't forget your VPN options above to help access your HBO NOW account on the go.


Streaming Game of Thrones season 8 episode 3 in the UK

UK viewers will generally have two options available: go straight to the source and subscribe to Sky TV to get the Sky Atlantic channel that's necessary, or access it via a NOWTV Entertainment Pass. You can use these methods to get previous episodes on catch up too. NOWTV provides the best short-term option for Throners as you can get a 3-month Entertainment Pass, that includes a 7-day free trial, for just £17.99 which will neatly cover you for the whole of Game of Thrones season 8.
However, you too can still peruse the VPN options available to you, particularly if you are abroad or away from your regular services for some reason.

Streaming Game of Thrones season 8 episode 3 in Canada

For our Canadian pals, the best streaming option is found at Crave. As with other streaming services above, you can pay monthly for Crave but you can also go for an annual subscription. You won't get free trials, but if you plump for a subscription, they will throw in one month for free. Prices vary but the packages you'll be looking - ones including HBO - are around $20 per month. Of course, you might want to try the above VPN options if you're on the move or unable to access due to pesky geography.

Streaming Game of Thrones season 8 episode 3 in India

Fans in India probably have the best option available to them for streaming Game of Thrones. Scooting over to Hotstar, you guys can sign up to a premium account for only ₹299 ($3) for a month or ₹999 ($14) for an entire year. The first episode has already aired and is now available on Hotstar to catch up on. Don't forget your VPNs too, if need be.
If you need a big catch up on the series as a whole, we have a recap video that gets you all caught up in 16 minutes, which is quite an achievement. And don't forget, if you're not in your native country, you can always hook up to your HBO account or your Now TV subscription via a VPN, which we've listed above. Make sure you get your preparations done early so there's no panic, and in the meantime here are some more features to get you fully immersed in Thrones.

Best 'Game of Thrones' Memes From Episode 2

While last week’s season 8 premiere focused on all the reunions going on in Winterfell, episode two saw the characters preparing for the Battle of Winterfell. Take a look at some of the best memes poking fun at key moments in episode 2 including Bran Stark recollecting his climb up the tower, that special moment shared between Gendry and Arya, Brienne being knighted and the usual antics with Tormund below. Also included is the moment Jon tells Dany about his true heritage. In case you’ve missed it, Game of Thrones season 8 episode 3 teaser reveals “the dead are already here.”







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Game of Thrones Season 8: War of the Two Queens, Part II

In reality, life has never ended happily for a generation with a grand triumph on the battlefield. World War I concluded in a brittle armistice that still somehow brought about an even more cataclysmic, bloody sequel a mere two decades later. Americans thought they earned peace for a generation after nuclear bombs fell over Hiroshima and Nagasaki. Not even five years later, our country was embattled on the Korean Peninsula. Conflict will always begat conflict, and there will inevitably be parties who seek advantage even in supposed black and white, good versus evil struggles. That ugly truth about humanity, and its knotty emotional toll, is what Martin genuinely seeks to infuse into Westeros and high fantasy, and it will again be crystallized when Cersei Lannister’s forces attack a war ravaged Winterfell with the aim of wiping out the beleaguered survivors. Season 7 beautifully set up that Cersei will hire an army of sellswords in the Golden Company (who ironically have a long contentious hatred for the traditional Targaryens in “A Song of Ice and Fire”), and she’ll use them to wipe out her perceived enemies.


If Jon Snow or Daenerys were to die, or likely any other major Stark or Lannister character, it will not be while fighting zombies. It will be during this grim continuation of a war Cersei lied about pausing. However, I don’t think Daenerys can die… at least not this point.
Like Martin or the Hound, I tend to roll my eyes at prophecies in this world. Stannis Baratheon believed he was the Prince Who Was Promised, and look what happened to him. Cersei, however, has created a self-fulfilling one for herself. Chased by the whispers of Maggy the Frog, Cersei made the conceit of her children all wearing gold shrouds a reality by inviting the Sparrows into power so as to depose Margaery Tyrell. Consequently, she ultimately killed Margaery and cost herself Tommen’s life in the process.
Cersei choosing to make war with Daenerys and Jon after the Long Night’s final battle will likewise be Cersei undoing, bearing the grotesque fruit of Maggy’s vision.
“Aye. Queen you shall be. Until there comes another, younger and more beautiful, to cast you down and take all that you hold dear…. And when your tears have drowned you, the valonqar shall wrap his hands around your pale white throat, and choke the life from you.”
After the Golden Company, and mayhaps Euron Greyjoy, slaughter some major heroic characters on Cersei Lannister’s orders, this prophecy will come to its most Shakespearean end. Once upon a time, Cersei feared that the younger queen could be Sansa Stark until she was later convinced it was Margaery Tyrell. Yet nay, they were both innocent. That younger queen is Daenerys, and even without any dragons at this point, it’s the Khaleesi who’ll lay a final siege for power on King’s Landing with what’s left of her forces. With the playing field evened or even favoring Cersei given how few of Dany’s forces might remain Cersei will then have her last vestiges of control shattered not by dragons, but by two “valonqar.”

The term “valonqar” means little brother. All her life, Cersei has assumed the little brother who will strangle her to death would be Tyrion Lannsiter. But it is so obviously really Jaime Lannister, who was born just a moment after Cersei left the womb. He and Tyrion will be Cersei’s undoing, leading “10 good men” through one of the hidden passages they know of near the Red Keep (we saw Tyrion use one such entryway in season 7).

Plus, it has to be Jaime who takes Cersei’s life. Whether she’s still pregnant or has had a miscarriage by this point, Jaime cannot allow her to live. Not when she completes her possession of the Mad King Aerys II’s soul. Realizing that Tyrion and his “good men” have opened the gates of King’s Landing, she’ll follow in Aerys’ footsteps and try to burn the whole city to ruin and take the world with her. Jaime won’t let her do that. Wrapping his arms around her like he did in season 1, promising that they’ll kill everyone “until we’re the only ones left,” they really will be the only ones actually left in the throne room. Standing before the Iron Throne, they’ll burn with the power Cersei covets.
Whether by dragonfire or (more likely) Cersei commanding Qyburn to light the wildfire underneath the Red Keep and hoping it spreads, Cersei shall choke her last breath in Jaime’s golden hands as they are incinerated, taking the chair that drives men and women mad with them.

When Daenerys finally steps foot inside King’s Landing, it will be the culmination of the vision she had within The House of the Undying in season 2, with the Iron Throne and all its remnants of power left as smoky ruin. Even if Tyrion, Jaime, and her men save the citizens of the capital beyond the Red Keep, Daenerys will still be queen of the rubble. Allowed to build her new world from horrible scratch.
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The Second Iron Throne Has Been Found, Two New Thrones Hidden

The second life-sized Iron Throne from Game of Thrones has been found. Hidden away in a northern icy tundra, a pair of friends have successfully claimed their prize. To continue on its current campaign, and as a lead up to Game of Throne‘s eighth and final season, HBO has been hiding these life-sized thrones in all sorts of secret places, waiting for lucky fans to find them. After the second throne was found, HBO has now gone on and hidden two more.


Firstly, the “Throne of Joy,” can be seen hidden on a hill while a castle can be seen in the background. This looks to be the same spot where episode three of season six was shot where a young Ned Stark is trying to protect his younger sister, Lyanna Stark. If this is the case, the new throne is located at the Castle of Atienza near Madrid.
Next the “Throne of Valyria” has been placed in a rocky canyon. Take a look at the new hidden Iron Thrones below and head over to forthethrone.com for more details. And according to the #ForTheThrone countdown, there are 8 days left to find this second throne. As fans around the world patiently wait for the return of HBO‘s hit fantasy series Game of Thrones to return for its eighth and final season next month, the network has decided to hide six life-sized Iron Thrones all across the world for them to find.
In a video posted to HBO’s official YouTube channel, the first Iron Throne can be seen hidden in what looks to be a forest with the caption “#ThroneoftheForest.” The 360-degree video is also accompanied by a countdown timer, allowing fans to see how much time they have left to claim it. The network has also shared a marketing video starring the show’s biggest actors to its Facebook page along with, “6 Thrones. 6 Locations. Who will be the first to find them?” Once the first Iron Throne has been successfully found, HBO will hide another one, totalling up to six. Interested participants can head over to forthethrone.com for more details. Grab your chance to claim the Iron Throne now.